The Worst of Evil Review – A Raw Dive into this Gritty Crime Drama!

Shadows. Betrayal. Suspense.
By: Iffah Salleh
October 6, 2023

In the shadowy realms of crime and morality, The Worst of Evil emerges as a formidable contender, delivering its first three episodes with a potent blend of suspense and brutality. 

This Disney+ series, directed by the visionary Han Dong-wook and scripted by the masterful Jang Min-suk, introduces a narrative anchored by the compelling performances of Ji Chang-wook, Wi Ha-joon, and Im Se-mi. 

As we embark on this 12-episode journey, each instalment unfolds over approximately 50 minutes, offering viewers a gripping exploration into the underbelly of Seoul.

A Star-Studded Ensemble

Chang-wook, last seen in 2022’s If You Wish Upon Me, breathes life into Jun-mo, while Ha-joon, fresh from 2022’s Little Women, takes on the role of the resolute Gi-cheul. Im Se-mi, known for her role in 2022’s The Empire, adds her prowess to the mix as Eui-jung. 

The chemistry among these leads elevates The Worst of Evil beyond the conventional crime thriller – let’s hope the momentum stays intact till the very end!

Intricate Storytelling and Time Jumps

The opening sequence of The Worst of Evil Episode 1 plunges viewers into a chilling melee involving Jun-mo, Gi-cheul, and Eui-jung. 

A time jump transports us to 1994, where Eui-jung’s promotion triggers familial tension, setting the stage for an intricate web of relationships.

Gi-cheul’s dreams of owning a nightclub intertwine with a deal with Sergeant Jang, leading to a blood-soaked power struggle in the hotel corridors. The non-linear narrative keeps viewers on the edge of their seats, craving the next twist in this captivating story.

Power, Revenge, and Loyalty

As the narrative unfolds, alliances shift, and the Korean and Japanese narcotics departments unite to combat a new, dangerous drug. 

Jun-mo, tasked with infiltrating Gi-cheul’s network, adopts a new identity — Kwon Seung-ho. The intricate dance of power, revenge, and loyalty takes centre stage, with Ji Chang-wook’s performance as a disguised infiltrator adding a layer of intrigue. 

Expect the unexpected as the characters navigate a labyrinth of conflicting motives.

The Visual Symphony of Action

The plot thickens in Episode 2, with Gi-cheul’s acceptance of Jun-mo into the Gangnam Union, despite internal dissent. Secrets surface, alliances fracture, and Jun-mo finds himself entangled in a web of lies as he navigates the complexities of his dual identity.

Episode 3 delves into the past, unravelling the dynamics between Eui-jung and Gi-cheul. Amidst this intricate narrative, The Worst of Evil boasts a visual spectacle with CGI blood sprays and intense fight sequences, masterfully choreographed to keep the audience at the edge of their seats.

Human Complexities and Stellar Performances

Ji Chang-wook and Wi Ha-joon embody their characters with finesse, delivering performances that resonate with intensity. 

Ha-joon’s stoicism and Chang-wook’s desperate pursuit of justice create a compelling dynamic that promises depth in future episodes. 

The Worst of Evil is not merely a crime thriller; it’s a visceral exploration of human complexities, loyalty, and the shades of grey that define the battle between good and evil.

Anticipate the Unseen 

While the initial episodes set the stage, the promise of deeper complexities lingers, urging viewers to embrace patience for the impending narrative revelations. 

As The Worst of Evil unfolds, it beckons viewers into a world where morality is elusive, and alliances are fleeting. It’s not just a crime drama; it’s a journey that promises to be as unrelenting as the city it unfolds in.

A Thrilling Prelude

Stream it on Disney+ and brace yourself for a rollercoaster ride of emotions, a visual feast of action, and a narrative that unfolds like a captivating novel, promising a journey into the heart of darkness. This recap of the first three episodes is only a glimpse, yet it’s already a thrilling introduction to the gripping tale that awaits. The Worst of Evil is not to be watched; it’s to be experienced.

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